„Can you prove it“ you ask. Codecs refer to the way that audio, video, or other data is encoded, whereas containers refer to the file that contained encoded audio and video. ProRes 是一种中间编解码器，这意味着它们用于影片编辑期间，而不是用于实际观看。. 换一张. Prior to ProRes 4444, if you wanted Alpha Channel Transparency, you had to use Apple’s Animation codec. The Video Space Calculator or Video File Size Calculator is a tool that allows you to calculate the amount of space needed for your video. g. I want to preserve as much quality as possible because the videos will be edited into into 1080p non-VR video in premiere pro. Over time more features have been added, from HD, to 3D, to 4k and beyond. Re-encode the H. From there you should be able to find ProRes 4444. That should produce an I-Frame only HEVC file. 1 megabytes = 1024 kilobytes; 1 kilobyte = 1024 bytes; 1 byte = 8 bits; So 70778880 bits = 70778880/ (8 x 1024 x 1024) MB = 8. 264/H. Prior to ProRes 4444, if you wanted Alpha Channel Transparency, you had to use Apple’s Animation codec. I've also heard this gives 4:4:4 color depth since you're sampling multiple pixels down into one pixel. 8. This is a beauty of Cineform. ProRes official decoder also offers it, but no NLE (except FCP) has this functionality implemented. This version of the codec has 70% of the data rate of ProRes 422 and 30% smaller file sizes. Any of them are good. PhotoJpeg - will render fast and give good quality. Or just double-check your finished render carefully. 5) 4. To date, I have been using the ProRes HQ format that the device allows - this gives a 10bit 22MB per second video recording (176mbps) - I shot a 10second clip today using the DNxHD codec, and see that it gives a 10bit 23MBper second video recording (184mbps). 3 Most Popular Intermediate Codecs There are three main intermediate codecs that are industry standard: Apple ProRes GoPro's CineForm Avid's DNX Export. If you have a weak system might be better to convert footage to an edit friendly format instead of using proxies. Cineform was sort of a stop gap for Premiere before wide adoption of DNx and Pro Res. h. Translate. Long answer: Hardware manufacturers (cams,. Approximate ProRes equivalents. There was a significant file size difference,. Best file format to use on YouTube. (H. "C:Program Files (x86)CineformToolsDPX2CF. 12bit Cineform 5 (avg: 67. I wish DNxHR had a comparable result to ProRes 422 LT but it only seems to have an equivalent to 422 HQ. This lets you take advantage of smart rendering. I used Cineform codec for years. Set the Codec to Apple ProRes and select one of the available options (e. I used it long before either GoPro or LWKS were on the market. As the name suggests, this file. Where a GPU might only need 10W to decode 4k Cineform, 4k ProRes might draw 25-50W on the CPU (numbers only used for illustration purposes). On a PC, the Cineform 10-bit YUV or DNXHD/R options are both quite high in quality. This tool is intended to give an indication of the amount of space a given video format will take up on disk. Una mayor calidad de las imágenes en cuanto a detalles y color durante. The selected format determines the preset options that are available. Reply. Apr 1, 2017 at 23:20. 2K to see the difference between them. DPX, or any other combination, you’ve come to the right place. If you have a properly tuned post production workflow then the amount of times you'll recompress an intermediate video is zero or once; the most common case is recompressing assets like. On the custom tab with QuickTime format, the codec options I have are: DNxHD, DNxHR, Gopro Cineform, Grass Valley, H264, H265, Kakadu JPEG, MPEG, Photo JPEG and Uncompressed. Feb 4, 2011 #1. Unlike ProRes, CineForm is a. " Well, DNxHD is also on the chopping. In a spot check, ProRes 4444 XQ files were a bit bigger than Cineform 4444 render at quality level 4 (Film Scan 1) and a bit smaller than renders at quality level 5 (Film Scan. 175 was chosen because it is similar to ProRes HQ’s bitrate of ~180Mbps. 264/H. These become the new master files from this moment forward. Find out which file formats can be exported from Adobe Media Encoder, including formats for video, animation, and audio. Hackintosh:: X299, Intel i9-10980XE, 128GB DDR4, AMD 6900XT 16GB. #5. Cineform is also the codec of choice if you plan on doing multiple export passes of your project. 265 is a new standard that all iOS devices use as a default video. Under presets, select low resolution cineform. That said, ProRes (or DNx/Cineform) is superior to MPEG ALL-I for raw editing performance. 5) will now natively support ProRes Raw, finally opening up editing of Apple’s Raw video format to all Premiere Pro users. I need to find the following export option, is it still included in the new version? Gopro CineForm RGB 12-Bit With Alpha At Maximum Bit Depthface. Is there anything preventing adding DNxHR and CineForm to the Blackmagic Proxy Generator? I suppose the new HyperDeck can't play CineForm, but it can play. You might try transcoding your 4K footage to 720p ProRes proxies. 6Mb/s,. 2. Joined: Thu Feb 07, 2013 5:07 pm. 264 instead (at the same data rate). The way this works is quite technical but it essentially amounts to using the extra pixels present in the 4K files to rebuild the lost colour information. Export to ProRes 422 with the "Use Previews" box checked. Report. In. ago. Use Hybrid to convert the MKV to Prores (minimum of Prores 422 format, 4444 is better) or Cineform (Film Scan 2). Even using Film Scan 2 though, I am not seeing the same level of. There is no 8-bit ProRes. In most cases, ProRes is a better choice than MPEG for. As a result, ProRes 422 offers even better real-time editing performance. By Angelo Lorenzo | Adobe, Apple, Software | 9 Comments. mov. 6k VR footage that was shot on a gopro and output into cineform. 3 on macOS 11. ProRes 4444 vs GoPro Cineform for color. Codecs are invented to compress and decompress multimedia data in your video file in either a lossy or a lossless manner. 264 GH4 footage to 1080p 10 bit CineForm, since my PC isn't quite beefy enough for online 4k editing. Community guidelines. The target data is 147 Mbps. more Understanding. ProRes is going to be 1,000,000% smoother to edit than any of the in-camera codecs. AviSynth / VapourSynth script editor. If we think about ProRes or DNxHR/Cineform or any other intermediate codec as a high quality master/working format then they should be actually RGB based end always full. 7. Codecs refer to the way that audio, video, or other data is encoded, whereas containers refer to the file that contained encoded audio and video. Short Answer: YES, we still need them and will continue to for a while. Go to Sequence > Sequence Settings > Editing Mode: > Custom. 264, which is already quite compressed, ProRes 422 most closely matches the original image quality. . Cineform vs prores proxy - anonymous proxy servers from different countries!! 1 minute ago proxy list - buy on ProxyElite. Avid's DNxHD/R is a great codec, as is ProRes, they have "flavors" that are very close to each other. 7. Export to ProRes 422 with the "Use Previews" box checked. ProRes codecs are all 10-bit 422 as is DNxHD 220x but lower bit rate DNxHD codecs are 8-bit 422 architectures. DNxHR 444 and ProRes 4444 XQ are the only codecs that fully preserve the details needed in HDR- (high-dynamic-range) imagery. Codec vs. Try using -g 1 rather than -intra and confirm whether it is any quicker to commence playback and step-through (color stuff dropped for clarity) $ ffmpeg -i myfile. No alpha;ProRes 422 es un formato que fue diseñado por la marca Apple y que ha formado parte de su programa de edición Final Cut y más tarde en el Final Cut Pro. Apple ProRes; Avid DNxHR; Blackmagic RAW (which is not a RAW format, but we’ll save that discussion for later. Cineform is an excellent alternative, but a bit slower on Macs. 2GB - 786,334 kbps. 8. GoPro Cineform, aka the SMPTE ST 2073 VC-5 video compression standard, is a cross platform codec that in Creative Cloud piggybacks onto QuickTime ( warts and all). Most editors prefer to use Cineform, DNxHD/HR, or ProRes formats for their proxy files in Premiere Pro. Rendering TBs to Cineform is such a pain in particular on laptops. Otherwise you can upload ProRes, Cineform, high bitrate h264/5 etc and you will get visually the same quality as youtube adds a lot of compression on top of every uploaded source. For the smallest proxies, you could create H264 proxies at a lower resolution. 264 uses long-GOP compression, it can pack a lot more information into those 100 megabits than ProRes can. 265, where there are only complete or " i-frames " every 9-30 (or even more) frames of media. The advantage of ProRes is that it will decode on nearly any system with Quicktime installed. 264 for possible quality though much bigger in file size. DaVinci Resolve is very capable even for free, but you need the right hardware! Studio 18. With this new update, both macOS and Windows. 6. Report. Well well, once again, the laws of Physics: there will be a transcoding quality loss any lossy as ProRes codec. . 1, and plays system-wide if you download the free player or free GoPro Studio app. Translate. Originally Posted by Cornucopia. The problem is: it’s frickin MASSIVE. A valid assumption. Codec MP4. Exporting out of one generation (camera originals) of H. H265 1fps Conclusion- there is no clear winner. MOV (Prores 422/422 HQ/4444) - Popular use with Final Cut X, Premiere and Avid; MOV (GoPro Cineform) - Amazing format primarily used in Adobe Premiere; MOV/MXF (JPEG 2000) - Used with Avid, Premiere and Final Cut X; MOV (Animation) - Used with Avid and Premiere; Most of the mezzanine files above are available in Adobe Premiere, Avid and. And, BTW, ProRes is a codec, while QT is both a container and a (soon obsolete) framework. A depth of 48-bits is equal to 16-bits per channel (R,G,B). It's never advisable. CDNG is a 12-bit 444 image sequence that records each frame as an individual image file per frame, this would mean you have have 24 files per second when shooting at 24p. ago. Smart Rendering is a "workflow" to export files 20 times faster by using your preview files to assist the export. On March 30, 2011, the company was acquired by GoPro which in particular wanted to use the 3D film capabilities of the CineForm 444 Codec for its 3D HERO System. An exception is smart rendering. Below are screenshots of Avid DNxHD 175x 10-bit produced by Adobe Media Encoder for a more fair comparison. So with Cineform, if a frame needs 30 bits, it'll get all 30 bits, whereas ProRes and DNx will limit the bitrate to 20, thus reducing quality. Is h265 worth the hassle of so much harder decoding? Maybe in case of a recording format yes (as then storage is precious), but later there is about no point using it as intermediate codec. I tested a few clips with DNxHR (after being tossed into Media Encoder) and timeline playback is now flawless. I see no option to continue using quicktime and cineform. As you can see, blocky artifacts are still. Everything in the folder is reencoded from 4k h. 4375 MB. For a look at ProRes in 2009, check out Gary Adcock’s article here, and for the modern, official details, check Apple’s white paper: PDF link. This version of the codec has 70% of the data rate of ProRes 422 and 30% smaller file sizes. 264? The hard truth is that H. While there are some exceptions of apps and devices that can play ProRes. I go into even more detail of why Cineform is preferred later on in this guide. Lots of software—including all of the major NLEs (Non-Linear Editors)—can decode ProRes on Windows. There’s also no word if the ReelSteady plugin for After Effects will be updated. The Inspector also provides a way to monitor codecs. However, ProRes is optimized for editing and requires the least load on your system during the edit of other potential codecs. The biggest benifit of going straight to ProRes is the low decoding overhead. Render your Timeline as you go, or at least before exporting. On a PC, the Cineform 10-bit YUV or DNXHD/R options are both quite high in quality. Avid DNxHD vs. I exported it from Premiere as an H264 . ProRes HQ (avg: 61. To download the GH4 ProRes LT files at 4K resolution click here. 5. At some point, power consumption might also be a consideration. The only issue is the very large file size, but if storage is not a problem, you could hardly do better than Cineform. I am not the prosecutor in a court room here. If you are working with SD or HD media, choose ProRes 422; If you are working with RAW, HDR or Log files, choose ProRes 4444;おはようございます。 今回はApple Proress 422について解説させていただきたいと思います。 「H264」と「Aple Proress 422」のこの2つ圧縮フォーマットは映像編集においてかなり多用しますので必ず覚えてください。 まずは、Apple Proress 422の種類から説明いたします。 ・Apple ProRes 422 HQ →最高品質仕様. If it’s rendered to the default I-frame Only MPEG-2 codec, you’ll get a bad preview compared to ProRes, DNxHR or CineForm codecs, which provide better-quality previews. I used Cineform codec for years. Re: cineform raw vs prores « Reply #1 on: June 10, 2013, 04:59:16 AM » Cineform made patterns in my footage when converted directly, going from for instance AE to cineform is fine tho. easyDCP(3) RGB & YUV422 JPEG2000 video mov, mxf Op1A, mxf Op‑Atom – for IMFs Yes Native, Kakadu RGB, YUV422 and YUV444 (8 ‑bit, 10 bit, 12 bit. 啊叻？. 1, MacOS 12. MP3, . I've also heard this gives 4:4:4 color depth since you're sampling multiple pixels down into one pixel. 视频去哪了呢？. Posted by Lukas Dreser on October 6, 2014 at 4:14 pm. roger. It is comparable to Avid’s DNxHD codec or CineForm which offer similar bitrates and are also intended to be used as intermediate codecs. Votes. Re-encode the H. The DNx family is great, but it offers a lot of options that can quickly get overwhelming for new users. And when using the GoPro CineForm conversion tools to do the conversion, the 8-bit 4:2:0 source files are up-sampled to 10-bit 4:2:2 files. Adobe has announced Premiere Pro (version 14. Apple ProRes formats, Kakadu jpeg2000 formats (including Dolby P3D65) Apple ProRes formats, Kakadu jpeg2000 formats. 264 to something else is probably a good thing. ProRes is Apple Products, DNx is Avid, Premiere can use any of the three comfortably (it can only read ProRes on Windows) though I think they've started to put. 264 codec. If you're ever exporting graphics from After Effects and they have a transparent background, you're going to need a codec with an alpha channel. Container vs. 6K Equilateral Cineform Film Scan 1 - 46. In the window listing incompatible media files, click Convert. Apple ProRes vs. Both codec families are resolution independent, but bitrate will vary depending on if you output a proxy file or a. The calculate bitrate is ~235Mbps which makes this a less fair comparison; it puts Cineform closer to Apple ProRes4444 and Avid DNxHD 220. 264 and ProRes, CineForm stands out for its ability to retain more detail and color information. Otherwise, you shouldn't need one and can choose a much more compact format. mov. Upvote Translate. What is the Best Video File Export Settings for YouTubeDownscaling and transcoding to ProRes or CineForm at 1080p can convert the RGB 4K data from the GH4’s 4K 100Mbit/s codec to the higher bit depth of 10bit and colour sampling of 4:4:4. 264 is terrible to edit with. - LR Timelapse, Lightroom, After Effects, Photoshop, Premiere, FCP 7, Quicktime 7, GB Deflicker, CHV Time Collection, ProRes vs CineForm, Photomatrix, GBS Timelapse & more. MOV comparison table below. 264 instead (at the same data rate). ProRes - A flexible codec that supports any frame size. If you’re exporting for say a live concert with LED screens, the difference will be noticeable, eg colour gradients will. macOS and iOS. It uses a lot of cpu power to decode and display the data in h. 26x and MPEG standards, the ProRes family of. Cineform uses "wavelet" compression, which means that computing up/down resolutions is very fast compared to other codecs. Except for Adobe, it seems that it is impossible to encode Prores CODEC in Windows os. Q. Format. Higher resolution means more detail, and because it has more pixels, more color information. ProRes is so 2007. I don't care about file size so which codec is best for me. Apple ProRes [10-12bit] will now be. My source files are already 4K ProRes MOVs, but since Premiere on Windows can only decode ProRes, full-res performance is pretty sluggish even at 1/4 the resolution. 264. 1. I. This reference list provides you with a quick and easy way to identify the formats and codecs supported by Blackmagic DaVinci Resolve 18. Or you can also click "Add" button on the top of. The -profile switch takes an integer from -1 to 5 to match the ProRes profiles: -1: auto (default)Valid containers (mp4, mov, avi, mkv, web) for codecs in ffmpeg. Any of the low resolution presets will work ok as long as it is Quicktime, I just found cineform to be the smoothest on my machine. If you are doing extreme colour grading, fine matte work, etc. Now the difference between a proxy and an intermediate codec is that a proxy is just used for offline editing because it is small in size and fast (due to low. Obviously, posting this on a Cineform forum is perhaps going to yield subjective responses, but I'm trying to get to the bottom of how the codecs compare. However, if you have a weaker CPU or are doing CPU-intensive effects you might want a codec like Cineform. To date, I have been using the ProRes HQ format that the device allows - this gives a 10bit 22MB per second video recording (176mbps) - I shot a 10second clip today using the DNxHD codec, and see that it gives a 10bit 23MBper second video recording (184mbps). that offers virtually all the features of Apple ProRes 422 HQ but with a data rate of 66% for even greater multistream, real-time editing performance. As far as Cineform VS MP4 is concerned, I made the following tests: I started from a . 265 requer uma quantidade menor de largura de banda em comparação com os codecs H. Practically speaking, the ability to only decode ProRes is not enough to build a solid ProRes workflow. But if a scene only needs 10 bits, then Cineform will use 10 bits. Once your window is open, go to your export settings in the top right of the window and change the 'Format' to 'Quicktime'. Premiere’s default installation also includes other common workflow. Examples are ProRes, Cineform, and DNxHR. ProRes 422. ProRes Proxy - DNxHD 36 ProRes LT - DNxHD 80. Alpha Channel support. 265, vp9, dnxhd, cineform and prores. NOTE: I will be spending a substantial amount of time discussing how to remove flicker using various programs as it is a highly requested topic. Initially, H. How to Render GoPro CineForm 10-bit Video. ProRes, DNxHD or Cineform : Cinema 4k 4,096 x 2160: 1024×540 (1/4 size of full res) ProRes, DNxHD or Cineform: FHD (Full HD) 1920×1080: 480×270 (1/4 size of full res) ProRes, DNxHD or Cineform:. AVC is a very strange and unique file extension since it. Then, when you’re done, you relink the. ProRes; CineForm; HEVC (h265) Q. Native IMF, IMP, Apple ProRes formats, HT‑J2K, Kakadu jpeg2000 formats (including Dolby P3D65) Apple ProRes formats, Kakadu jpeg2000 formats, Studio for >=4k/Dolby P3D65/HT‑J2K. Adobe After Effects interprets them as 8bit and shows Millions of colors instead of Trillions and unwanted banding appears. Codecs of 2011 - Prores Vs Cineform Vs DNxHD Here we are in 2011 and I'm going to resurrect this bag of worms if I may. 97 frames per second. 2. 嘿，这里是 源源捣。 最近我为大家分享了利用DNxHR、Prores、CineForm这类中间编码文件代理剪辑视频的方法，不过前不久在我为大家分享如何用PR制作三连小动画时，片尾提及了动画编码格式。因此本文会为大家更加详细的介绍一下动画编码格式以及它与其他三个编码器的适用场景。The quality difference between using something lossless and a purpose-built intermediate codec like ProRes, DNxHR, or Cineform is going to be negligible after you compress to h. I put all the renders into a new folder (same names as before) and re-linked the new ProRes media in Premiere NOT opened with. While CineForm may have an edge in terms of color depth and image fidelity, ProRes is widely adopted in industries like broadcasting, film production, and professional video editing due to its ease of use and compatibility. Then we have the brand spanking new ProRes 4444 XQ, which has all of the above with this gem: Target data rate of approximately 500 Mbps for 4:4:4 sources at 1920x1080 and 29. I wish DNxHR had a comparable result to ProRes 422 LT but it only seems to have an equivalent to 422 HQ. 265. 6. bat file. ProRes/CineForm/DNxHR caught on because of the platforms which decided to use them. Codec MP4. DaVinci Resolve is very capable even for free, but you need the right hardware! Studio 18. HEVC: 143MB, 35. 3. Capturing Tapes to ProRes vs DV. , Apple ProRes 4444). Report. Yes, PR takes longer to upload (but YT can resume uploading, so you're OK there) and takes longer for YT to chomp through to make the various quality versions. 4. DaVinci Resolve is very capable even for free, but you need the right hardware! Studio 18. exe" c:framesourcesource*. The best and worse uses for CineformThe Cineform codec is a robust and stunning codec for many things, but proxies aren't one of them. 8-1. It is the successor of the Apple Intermediate Codec and was introduced in 2007 with Final Cut Studio 2. Worth mention is that one have a Quality slider for all CineForm exports. Quote:ProRes 422HQ 10-bit is "Visually Lossless" but same time 1. So different Prores levels (422 proxy, 422 LT, 422, 422 HQ, 4444) mean the quality/compression levels. 它可与 DNxHD 或 CineForm 相媲美，后者提供相似的比特率. The best practice is to render directly out of After Effects and then encode to your desired format in Media Encoder. Yes, ProRes 422 is vastly better than any H. Going directly to the creator of the files provides a much, much better chance of getting files that are good for editing. Typically I use the following codecs - h. Report. In this video I show and discuss the differences between. Sign in with TwitterWith codecs for Windows and Mac, as well as being deemed a SMPTE standard, DNxHD may be a more future-proof alternative to Apple ProRes. Aug 19, 2022. At some point, power consumption might also be a consideration. 5. When comparing CineForm to other popular codecs like H. Apple ProRes 4444 is a high-quality solution for storing and exchanging motion graphics and composites, with excellent multigeneration performance and a mathematically lossless alpha channel of up to 16 bits. mov. Cineform is an excellent alternative, but a bit slower on Macs. The Cineform proxies are actually smaller than the 4K - UHD footage. Una de sus grandes bazas es que es la primera cámara con sensor APS-C que permite grabar en 8K con el códec Apple ProRes en tres variantes: ProRes 422 HQ, ProRes 422 y ProRes 422 LT. for use in post-production that supports video resolution up to 8K. It's slightly harder for your computer to decode, but only just barely and it works better than Prores on Windows machines by far. Codec facts: DNxHR 444, ProRes 4444 and ProRes 4444 QC are the only codecs with embedded alpha channels. The target data is 147 Mbps. CDNG is a 12-bit 444 image sequence that records each frame as an individual image file per frame, this would mean you have have 24 files per second when shooting at 24p. HEVC itself has a distinct distadvantage against ProRes (and even AVC) when it comes to retaining high-frequency noise and detail, for example film grain, so even at 'equivalent' bitrates it might go either way depending on what you're shooting. Cineform is also a high-quality intraframe codec like ProRes and DNxHD/R. Wes Howell • Adobe Employee , Dec 06, 2018. I used GoPro MAX Exporter to generate three different files: a Cineform, a HEVC and an H264, obtaining these dimensions: Cineform: 3. AVC is short for Advanced Video Coding, and the standard was first published in 2003. To download the Arri Alexa ProRes 2K and 1080p files you will need to access their FTP server and browse to the folder with the correct footage. Exporting out of one generation (camera originals) of H. Cineform is an excellent alternative, but a bit slower on Macs. It is comparable to Avid's DNxHD codec or CineForm which offer similar bitrates and are also intended to be used as intermediate codecs. 264 to something else is probably a good thing. HEVC supports 10-bit depth media, which is required for compressing HDR (High-Dynamic Range media). If not, I'll stick with my 720p Cineform. Depending on the flavor used, compression will be around the same as a similar quality ProRes or. July 4, 2010 at 4:45 am. ProRes/CineForm/DNxHR caught on because of the platforms which decided to use them. fantawalter. You won't want less than ProRes 422 HQ for final results anyway. So the difference in file size and data rate is rather small (this was using DNxHD. Set the CQ value to 1 to create a visually lossless file. Recording formats. Thanks for the link, very intresting, I was leaning towards Cineform, I will do some tests. Download and info for Video Space Calculator. 一開始只是因為Premiere Pro轉不出120fps的代理素材，結果就給我挖到了這一塊寶。記得開啟cc字幕~開源+免費+免註冊+專業+全能+想得到的轉檔功能. 264 to something else is probably a good thing. Ideally, you should use the exact same format as. So. IMO it is a great master codec for Windows/PPro machines- fast, easy to digest, lossless. 264. . HEVC compresses video in a more efficient manner than AVC but with the same level of image quality. 265 to Apple ProRes on Mac/Windows. I would recommend using Cineform proxies. Its incredibly CPU intensive for a CPU to decode in a video editor. Thanks to its high quality, efficient compression, and overall versatility in terms of support for various file types, resolutions, and even RAW, I can see CineForm becoming a mainstay in many post production. I’ve seen DNxHD/HR be. I would recommend using Cineform proxies. With the future more firmly in mind, ProRes was created (in 2007) as a transcoding codec which balanced post-production needs and image quality, and it later grew into an acquisition and delivery codec. Just as you pick different vehicles for different tasks, so, also, you pick codecs because they are best suited for that portion of a project. There was also a 12 bit Bayer raw Cineform conversion offered in the original software. Upvote Translate. 화질 테스트. NOTE: It is important to note that, by default, choosing Apple ProRes 422 Proxy creates a proxy file at the same resolution as the camera master file. Intermediate vs Long-GOP in a nutshell. The compression quality is controlled by the Quality slider in the Export. Y si le. Now the difference between a proxy and an intermediate. Mezzanine codecs are post-production formats, such as the Apple ProRes, Avid DNxHD/R, and GoPro Cineform codec families. Then I added all my GPCF media, and re-encoded to Apple ProRes 4444 with alpha, since my source material was from Adobe Character Animator (which used to offer the CineForm codec for output with alpha). Then we have the brand spanking new ProRes 4444 XQ, which has all of the above with this gem: Target data rate of approximately 500 Mbps for 4:4:4. 5. So much better. The bigger the footage (1080p, 120fps) the harder it is for your computer to decode and display. 7. So ProRes, DNx and Cineform qualify. 264 didn't have 10-bit implementations and H. The encoded pixel format is based on the color depth and alpha channel settings that you select in the Export Settings dialog in Premiere Pro. You won't want less than ProRes 422 HQ for final results anyway. Hello fellow professionals, Now that Adobe added Cineform.